我真的不会分辨里面那些女人的脸啊啊啊啊啊啊

这就是为什么不能让屌丝春风得意，你看迪亚兹这B浑身上下就是一股屌丝范，我看他耍狠我就想把手伸过屏幕给他一巴掌。

这种电影，给痴呆儿看的嘛？

4.5 love it, even though the line between fiction and reality is supposedly clear particularly after 2nd viewing (obviously, the execution, the writer, the attempted suffocation by pillow scene are all imaginary) , there are still lots of postmodern smoke and mirrors and humors left (what the heck with all the bleeps, what does alien abduction mean, and at the very end, is Petrov just returning home ALONE? and his house becomes a dollhouse! Has he always been alone and the entire film is his comic work?). Now the cliched praise: dashing camera, surreal transition, 3-act structure each in its own shooting style and lighting invoking distinct emotions and motifs undercutting one another.

典型台湾电影，侯孝贤和杨德昌一样的画风，画面构图太美太美，每一帧都是一幅画，节奏轻缓又日常。但是我好像已经过了看台湾电影的年龄，无法感受那种“细腻”了……不过我记住了一个叫“十分”的地方。